New Documentaries in Latin America
Examining the vast breadth and diversity of contemporary documentary production, while also situating nonfiction film and video within the cultural, political, and socio-economic history of the region, this book addresses topics such as documentary aesthe
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10.1057/9781137291349 - New Documentaries in Latin America, Edited by Vinicius Navarro and Juan Carlos Rodríguez
Copyright material from www.palgraveconnect.com - licensed to University of Sydney - PalgraveConnect - 2015-10-20
Copyright material from www.palgraveconnect.com - licensed to University of Sydney - PalgraveConnect - 2015-10-20
New Documentaries in Latin America
10.1057/9781137291349 - New Documentaries in Latin America, Edited by Vinicius Navarro and Juan Carlos Rodríguez
GLOBAL CINEMA
The Global Cinema series publishes innovative scholarship on the transnational themes, industries, economies, and aesthetic elements that increasingly connect cinemas around the world. It promotes theoretically transformative and politically challenging projects that rethink film studies from cross-cultural, comparative perspectives, bringing into focus forms of cinematic production that resist nationalist or hegemonic frameworks. Rather than aiming at comprehensive geographical coverage, it foregrounds transnational interconnections in the production, distribution, exhibition, study, and teaching of film. Dedicated to global aspects of cinema, this pioneering series combines original perspectives and new methodological paths with accessibility and coverage. Both “global” and “cinema” remain open to a range of approaches and interpretations, new and traditional. Books published in the series sustain a specific concern with the medium of cinema but do not defensively protect the boundaries of film studies, recognizing that film exists in a converging media environment. The series emphasizes a historically expanded rather than an exclusively presentist notion of globalization; it is mindful of repositioning “the global” away from a US-centric/Eurocentric grid, and remains critical of celebratory notions of “globalizing film studies.” Katarzyna Marciniak is a professor of Transnational Studies in the English Department at Ohio University. Anikó Imre is an associate professor of Critical Studies in the School of Cinematic Arts at the University of Southern California. Áine O’Healy is a professor of Modern Languages and Literatures at Loyola Marymount University. Published by Palgrave Macmillan: Prismatic Media, Transnational Circuits: Feminism in a Globalized Present By Krista Geneviève Lynes Transnational Stardom: International Celebrity in Film and Popular Culture Edited by Russell Meeuf and Raphael Raphael Silencing Cinema: Film Censorship around the World Edited by Daniel Biltereyst and Roel Vande Winkel
The Education of the Filmmaker in Europe, Australia, and Asia Edited by M
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