Artificial Intelligence and Creativity An Interdisciplinary Approach
Creativity is one of the least understood aspects of intelligence and is often seen as `intuitive' and not susceptible to rational enquiry. Recently, however, there has been a resurgence of interest in the area, principally in artificial intelligence and
- PDF / 44,035,913 Bytes
- 444 Pages / 438.126 x 665.666 pts Page_size
- 162 Downloads / 673 Views
		    STUDIES IN COGNITIVE SYSTEMS VOLUME 17 EDITOR
 
 James H. Fetzer, University of Minnesota, Duluth ADVISORY EDITORIAL BOARD
 
 Fred Dretske, Stanford University Ellery Eells, University of Wisconsin, Madison Alick Elithorn, Royal Free Hospital, London Jerry Fodor, Rutgers University Alvin Goldman, University of Arizona Jaakko Hintikka, Boston University Frank Keil, Cornell University William Rapaport, State University of New York at Buffalo Barry Richards, Imperial College, London Stephen Stich, Rutgers University Lucia Vaina, Boston University Terry Winograd, Stanford University
 
 The titles published in this series are listed at the end of this volume.
 
 ARTIFICIAL INTELLIGENCE AND CREATIVITY An Interdisciplinary Approach Edited by TERRY DARTNALL Computing and Information Technology, Griffith University, Brisbane, Australia
 
 SPRINGER-SCIENCE+BUSINESS MEDIA, B.V.
 
 A C.I.P. Catalogue record for this book is available from the Library of Congress.
 
 ISBN 978-90-481-4457-0 ISBN 978-94-017-0793-0 (eBook) DOI 10.1007/978-94-017-0793-0
 
 Printed on acid-free paper Ali Rights Reserved © 1994 Springer Science+Business Media Dordrecht Originally published by Kluwer Academic Publishers in 1994 No part of the material protected by this copyright notice may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without written permission from the copyright owner.
 
 To
 
 Fay
 
 TABLE OF CONTENTS
 
 xi
 
 SERIES PREFACE
 
 xiii
 
 FOREWORD PROLOGUE MARGARET BODEN / Creativity and Computers
 
 3
 
 PART I / FOUNDATIONAL ISSUES TERRY DARTNALL / Introduction: On Having a Mind of Your Own
 
 29
 
 TERRY DARTNALL / Creativity, Thought and Representational Redescription
 
 43
 
 ANDY CLARK / Connectionism and Cognitive Flexibility
 
 63
 
 DONALD PETERSON / Re-representation and Emergent Information in Three Cases of Problem Solving
 
 81
 
 ROGER WALES, STEPHANIE THORNTON / Psychological Issues in Modelling Creativity
 
 93
 
 GRAHAM PRIEST / GOdel's Theorem and Creativity
 
 107
 
 RICHARD McDONOUGH / Machine Predictability Versus Human Creativity
 
 117
 
 PART II / CREATIVITY AND COGNITION GRAEME S. HALFORD, ROBERT LEVINSON / Introduction: Creativity and Cognition
 
 vii
 
 139
 
 viii JANET WILES, GRAEME S. HALFORD, JULIE E. M. STEWART, MICHAEL S. HUMPHREYS, JOHN D. BAIN, WILLIAM H. WILSON I Tensor Models: A Creative Basis for Memory Retrieval and Analogical Mapping
 
 145
 
 ROBERT LEVINSON I Experience-based Creativity
 
 161
 
 TOBY WALSH I Creative Proof Planning
 
 181
 
 MAURITA HARNEY I Clues to Creativity
 
 195
 
 PART III I CREATIVITY AND CONNECTIONISM CHRIS THORNTON I Introduction: Creativity, Connectionism and Guided Walks
 
 211
 
 ANTHONY DEKKER, PAUL FARROW I Creativity, Chaos and Artificial Intelligence
 
 217
 
 XIN YAO I The Evolution of Connectionist Networks
 
 233
 
 CHRIS THORNTON I Why Connectionist Learning Algorithms Need to be More Creative
 
 245
 
 PART IV I CREATIVITY AND DESIGN JOHN S. GERO I Introduction: Creativity and Design
 
 259
 
 JOHN S. GERO I Computational Models of		
 
	 
	 
	 
	 
	 
	 
	 
	 
	 
	 
	