Jizi and His Art in Contemporary China Unification
This interdisciplinary study promotes the thesis that some contemporary Chinese ink artists succeed in using principles of traditional Chinese aesthetics to convey the union of self with nature, others and the universe. The investigation is a case study o
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Editor-In-Chief Dr. Chunchen WANG China Academy of Fine Arts No. 8 Huajiadi Nanjie Street, Wangjing, Chaoyang District Beijing, P.R. China [email protected] Deputy Editors-In-Chief Paul Gladston, Associate Professor, Nottingham University ([email protected]) Wenny Teo, Lecturer, Courtauld Academy of Art ([email protected]) Advisor Board Alexandra Munroe, Curator of Asian Art, Solomon R. Guggenheim Museum, New York Britta Erickson, Ph.D., independent curator, Palo Alto Duan Jun, Lecturer in Contemporary Chinese Art, Beijing Institute of Technology, Beijing Eugene Wang, Professor of Asian Art, Harvard University, Boston He Guiyan, Associate Professor, Sichuan Institute of Fine Arts, Chongqing John Rajchman, Professor, Art History, Columbia University, New York James Elkins, Professor, Art History, Theory, and Criticism, School of the Art Institute of Chicago Katie Hill, Dr., Sotheby’s Institute of Art, London Mian Bu, independent curator, Beijing Melissa Chiu, Director of Hirshhorn Art Museum, Washington DC Michael Rush, Director of Eli and Edythe Broad Art Museum, East Lansing Paul Gladston, Associate Professor, Director of the Centre for Contemporary East-Asian Cultural Studies, The University of Nottingham Sheng Wei, Dr., Deputy Editor of Art Magazine, Beijing Thomas J. Berghuis, Dr., Curator of Chinese Art, Solomon R. Guggenheim Museum, New York Voon Pow Bartlett, Dr., Project Manager, Tate Research Centre: Asia-Pacific, London Wenny Teo, Dr., Lecturer in Modern and Contemporary Asian Art, The Courtauld Institute of Art, London Yi Ying, Professor, Art Historian, Central Academy of Fine Arts, Beijing Yin Shuangxi, Professor in Contemporary Art, Central Academy of Fine Arts, Beijing Yu Yang, Associate Professor in Modern Chinese Art, Central Academy of Fine Arts, Beijing Zheng Shengtian, Editor-in-Chief of Yi Shu magazine, Vancouver
This series focuses on what is happening to Chinese art in the course of recent decades. Since China has changed greatly, it is now a curiosity and a research task: What is that? Why is that? How can it be that? Culturally, why does Chinese art have its own special image narrative? How to evaluate and criticize Chinese art made today? Is it a continuation of its history and heritage? Is anything new that could be reconsidered further? Is Chinese art an artistic issue or a political one? This series of books will concentrate on such questions and issues and will invite international writers and scholars to contribute their thoughts on the explanation and elaboration of Chinese art today. More information about this series at http://www.springer.com/series/13527
David Adam Brubaker • Chunchen Wang
Jizi and His Art in Contemporary China Unification
David Adam Brubaker School of Art and Design Wuhan Textile University Wuhan China
Chunchen Wang China Central Academy of Fine Arts Beijing China
ISSN 2199-9058 ISSN 2199-9066 (electronic) ISBN 978-3-662-44928-8 ISBN 978-3-662-44929-5 (eBook) DOI 10.1007/978-3-662-44929-5 Springer Heidelberg New York Do
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