Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session
This research monograph explores the rapidly expanding field of networked music making and the ways in which musicians of different cultures improvise together online. It draws on extensive research to uncover the creative and cognitive approaches that ge
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Roger Mills
Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session
Springer Series on Cultural Computing Editor-in-chief Ernest Edmonds, Institute for Creative Technologies, De Montfort University Leicester, UK Series editors Bronaċ Ferran, Birkbeck, University of London, London, UK Nick Bryan-Kinns, Queen Mary University of London, London, UK Linda Candy, University of Technology, Ultimo, NSW, Australia David England, School of Computing and Mathematical Sciences Liverpool John Moores University, Liverpool, UK Andrew Hugill, De Montfort University, Leicester, Leicestershire, UK Nicholas Lambert, Ravensbourne, London, UK Paul Brown, University of Sussex, Ocean Shores, Australia Jonas Lowgren, Linköping University, Malmo, Sweden Ellen Yi-Luen Do, Atlas Institute, University of Colorado Boulder Boulder, CO, USA Craig Vear, De Montfort University, Leicester, UK Sam Ferguson, University of Technology, Sydney, Australia
More information about this series at http://www.springer.com/series/10481
Roger Mills
Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session
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Roger Mills University of Technology Sydney Sydney, NSW, Australia
ISSN 2195-9056 ISSN 2195-9064 (electronic) Springer Series on Cultural Computing ISBN 978-3-319-71038-9 ISBN 978-3-319-71039-6 (eBook) https://doi.org/10.1007/978-3-319-71039-6 Library of Congress Control Number: 2018961699 © Springer Nature Switzerland AG 2019 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. This Springer imprint is published by the registered company Springer Nature Switzerland AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Foreword
Since the beginning of human time, people have congregated in social spaces for the purpose of enacting shared experience and theatrical representation. Whether it be the ancient Greek Dionys
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