Shakespearean Celebrity in the Digital Age Fan Cultures and Remediat
This book offers a timely examination of the relationship between Shakespeare and contemporary digital media. By focusing upon a variety of ‘Shakespearean’ individuals, groups and communities and their ‘online’ presence, the book explores the role of popu
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Shakespearean Celebrity in the Digital Age Fan Cultures and Remediation
Anna Blackwell
Palgrave Studies in Adaptation and Visual Culture Series Editors Julie Grossman Le Moyne College Syracuse, NY, USA R. Barton Palmer Clemson University Clemson, SC, USA
This new series addresses how adaptation functions as a principal mode of text production in visual culture. What makes the series distinctive is its focus on visual culture as both targets and sources for adaptations, and a vision to include media forms beyond film and television such as videogames, mobile applications, interactive fiction and film, print and nonprint media, and the avant-garde. As such, the series will contribute to an expansive understanding of adaptation as a central, but only one, form of a larger phenomenon within visual culture. Adaptations are texts that are not singular but complexly multiple, connecting them to other pervasive plural forms: sequels, series, genres, trilogies, authorial oeuvres, appropriations, remakes, reboots, cycles and franchises. This series especially welcomes studies that, in some form, treat the connection between adaptation and these other forms of multiplicity. We also welcome proposals that focus on aspects of theory that are relevant to the importance of adaptation as connected to various forms of visual culture. Advisory Board Sarah Cardwell, University of Kent, UK Deborah Cartmell, De Montfort University, UK Timothy Corrigan, University of Pennsylvania, US Lars Ellestrom, Linnaeus University, Sweden Kamilla Elliott, Lancaster University, UK Christine Geraghty, University of Glasgow, UK Helen Hanson, University of Exeter, UK Linda Hutcheon, University of Toronto, Canada Glenn Jellenik, University of Central Arkansas, US Thomas Leitch, University of Delaware, US Brian McFarlane, Monash University, Australia Simone Murray, Monash University, Australia James Naremore, Indiana University, US Kate Newell, Savannah College of Art and Design, US Laurence Raw, Baskent University, Turkey Robert Stam, New York University, US Constantine Verevis, Monash University, Australia Imelda Whelehan, University of Tasmania, Australia Shannon Wells-Lassagne, Universite de Bretagne Sud, France More information about this series at http://www.palgrave.com/gp/series/14654
Anna Blackwell
Shakespearean Celebrity in the Digital Age Fan Cultures and Remediation
Anna Blackwell De Montfort University Leicester, UK
Palgrave Studies in Adaptation and Visual Culture ISBN 978-3-319-96543-7 ISBN 978-3-319-96544-4 (eBook) https://doi.org/10.1007/978-3-319-96544-4 Library of Congress Control Number: 2018950495 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electro
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