Theatre and Music in Manila and the Asia Pacific, 1869-1946 Sounding
This book examines the intersection between sound and modernity in dramatic and musical performance in Manila and the Asia-Pacific between 1869 and 1948. During this period, tolerant political regimes resulted in the globalization of capitalist relations
- PDF / 4,157,910 Bytes
- 275 Pages / 419.58 x 612.28 pts Page_size
- 71 Downloads / 152 Views
THEATRE AND MUSIC IN MANILA AND THE ASIA PACIFIC, 1869–1946 SOUNDING MODERNITIES meLê yamomo
Transnational Theatre Histories Series Editors Christopher B. Balme Institut für Theaterwissenschaft Ludwig-Maximilans-University Munich Munich, Germany Tracy C. Davis Northwestern University Evanston, IL, USA Catherine M. Cole College of Arts and Sciences University of Washington Seattle, WA, USA
Transnational Theatre Histories illuminates vectors of cultural exchange, migration, appropriation, and circulation that long predate the more recent trends of neoliberal globalization. Books in the series document and theorize the emergence of theatre, opera, dance, and performance against backgrounds such as imperial expansion, technological development, modernity, industrialization, colonization, diplomacy, and cultural self-determination. Proposals are invited on topics such as: theatrical trade routes; public spheres through cross-cultural contact; the role of multiethnic metropolitan centers and port cities; modernization and modernity experienced in transnational contexts; new materialism: objects moving across borders and regions; migration and recombination of aesthetics and forms; colonization and decolonization as transnational projects; performance histories of cross- or inter-cultural contact; festivals, exchanges, partnerships, collaborations, and co-productions; diplomacy, state and extra-governmental involvement, support, or subversion; historical perspectives on capital, finance, and administration; processes of linguistic and institutional translation; translocality, glocality, transregional and omnilocal vectors; developing new forms of collaborative authorship. Series Editors: Christopher B. Balme (LMU Munich), Catherine M. Cole (University of Washington), Tracy C. Davis (Northwestern). Editorial Board: Leo Cabranes-Grant (UC Santa Barbara, USA); Khalid Amine (Abdelmalek Essaadi University, Tétouan, Morocco); Laurence Senelick (Tufts University, USA); Rustom Bharucha (JNU, New Delhi, India); Margaret Werry (University of Minnesota, USA); Maria Helena Werneck (Federal University of Rio de Janiero, Brazil); Catherine Yeh (Boston University, USA/ University of Heidelberg, Germany); Marlis Schweitzer (York University; Canada). More information about this series at http://www.palgrave.com/gp/series/14397
meLê yamomo
Theatre and Music in Manila and the Asia Pacific, 1869–1946 Sounding Modernities
meLê yamomo University of Amsterdam Amsterdam, The Netherlands
Transnational Theatre Histories ISBN 978-3-319-69175-6 ISBN 978-3-319-69176-3 (eBook) https://doi.org/10.1007/978-3-319-69176-3 Library of Congress Control Number: 2018935294 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmi
Data Loading...
